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Never a joiner
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This summer, as part of this year’s Edinburgh Art Festival, Ingleby presents an exhibition of new paintings by Glasgow based Andrew Cranston.
Andrew Cranston (b.1969) is a painter-storyteller, a way of working that is enhanced by his often painting on the linen bound covers of old books. His stories coalesce in the process of making - the paintings emerging gradually through the manipulation of his materials: layering, lacquering, bleaching, collaging and constantly re-working his way into images that seem to shift backwards and forwards in time. He has described one of his works as ‘a painting that came out of my brush one day’, a statement that sums up his approach. They are resolutely contemporary in spirit and yet connected by a strong thread to painters of the past, especially perhaps to the intimism of Vuillard and Bonnard, or to Matisse or Munch. These are narrative paintings, drawn from the artist’s memory and observations of life and liberally sprinkled with reference to cinema, literature, and art history. This exhibition presents a new sequence of large scale canvases, alongside the book cover paintings for which he has become so well known in recent years.
A new publication devoted to the book cover paintings will be published to celebrate the exhibition, featuring the artist’s commentaries on his works. A book launch to celebrate the publication’s release, including a signing and exhibition walk through with the artist will be held as an Edinburgh Art Festival event on Saturday 19th August at 3pm.
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"Yellow. A lot of the paintings start yellow. When I was growing up, a friend of my dad’s from Manchester used to come and visit us. One time he brought us packs of paper he said had fallen off the back of a lorry. There was so much of this paper that we never needed any more paper for the whole rest of our childhood – there was always paper to draw on and make comics. Most of it was yellow, a. very pale, quite cold yellow, and most of the drawings I made when I was young were on this yellow paper. Whether that’s the reason, I don’t know. Yellow’s an interesting colour psychologically as well. It can feel a bit sick and a bit ill sometimes, jaundiced or something. It’s the colour that is the most mysterious to me."
- Andrew Cranston
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Andrew CranstonNight sweats, 2023distemper and oil on hardback book cover30.4 x 27 cm
12 x 10 5/8 in -
Andrew Cranston(Attempt to remember) the 16th at Hawick, 2023oil and varnish on hardback book cover22.2 x 13.9 cm
8 3/4 x 5 1/2 in -
Andrew CranstonIn the town where I was born, 2023oil and varnish on hardback book cover19.3 x 14.5 cm
7 5/8 x 5 3/4 in -
Andrew CranstonA still and slow life, 2023oil and varnish on hardback book cover37.8 x 25.7 cm
14 7/8 x 10 1/8 in
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Andrew CranstonThe proper way to paint figs, 2023distemper and bleach on card and hardback book cover23.5 x 19.3 cm
9 1/4 x 7 5/8 in -
Andrew CranstonSeals in an archipelago, 2023oil and varnish on hardback book cover19.2 x 27.9 cm
7 1/2 x 11 in -
Andrew CranstonHalf of what I say is meaningless, 2023oil on hardback book cover21.0 x 12.7 cm (unframed)
8 1/4 x 5 in -
Andrew CranstonThings (made from rock and bone), 2023distemper on hardback book cover30.3 x 22.9 cm
12 x 9 in
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Andrew CranstonThought for the day, 2022pigment and gum arabic on hardback book cover23.2 x 15.1 cm
9 1/8 x 6 in -
Andrew CranstonA snake came to my coffee table on a hot, hot day to drink there, 2023oil and varnish on cardboard19 x 14.6 cm (unframed)
7 1/2 x 5 3/4 in
23 x 18.5 x 4.3 cm (framed)
9 x 7 1/4 x 1 3/4 in -
Andrew CranstonLeftovers, 2023oil and varnish on hardback book cover22.0 x 14.0 cm (unframed)
8 5/8 x 5 1/2 in
25.4 x 17.6 x 4.3 cm (framed)
10 x 6 7/8 x 1 3/4 in -
Andrew CranstonLies thick and still, 2023oil and varnish on hardback book cover19.2 x 14.8 cm (unframed)
7 1/2 x 5 7/8 in
22.8 x 18.4 x 4.3 cm (framed)
9 x 7 1/4 x 1 3/4 in
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Playlist
Ingleby | Andrew Cranston | Never a Joiner
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